The landscape, with its countless forms and its connection to personal memory, is an inseparable part of the human experience. The nostalgia evoked by a landscape is tied not only to the recollection of a moment, but also to a sense of the past and the continuous change unfolding around us. The landscapes I document are not limited to natural terrains they include objects, plants, and all elements that stir memory and offer a vision of the past, transformed and faded over time.

Just as the past can never be fully recorded or reproduced, the landscape in my work is never static. Instead, it is transformed through digitization, carrying with it a sense of distance and loss. Its passage from the physical to the digital screen and ultimately back again distances the image from its origin, introducing translational errors and opening a dialogue between the visible and the invisible, the real and the recorded.

Translucency is the central tool I use to express this distortion and transformation of the landscape. Through transparency, the material allows me to both reveal and conceal, creating ambiguity and an elusive presence. I print in thin layers, aiming to evoke a sense of memory faint and blurred reinforcing the ephemeral nature of the landscape, which remains open to personal interpretation.